Richard Brody on Bernardo Bertolucci’s “Last Tango in Paris,” in which the director, who died this week, asked more of his actors, especially of Maria Schneider, than any filmmaker should ever expect or even want them to give.
from Everything https://www.newyorker.com/culture/the-front-row/revisiting-bernardo-bertoluccis-artistic-ambitions-and-abuses-in-last-tango-in-paris
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Kim Jong-un: fragile and under pressure but he won’t give up
The Observer The North Korean leader’s surprise freeze of his nuclear programme is less a genuine move than a diplomatic manoeuvre,...
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